Mise- en-scene

Mise-en-scène is a term used to describe the artistic  aspects of a theatre or film production, which productively  means "visual theme" or "telling a story" —both in visually artful ways through storyboarding, cinematography and stage design, and in poetically artful ways through direction. Mise-en-scène has been called film criticism's "grand undefined term."
When applied to the cinema, mise-en-scène provides  to everything that appears before the camera and its arrangement—composition, sets, props, actors, costumes, and lighting. Mise-en-scène also includes the structuring and movement of actors on the set, which is called blocking. In modern film work, these are all the areas overseen by the director, and thus, in French film credits, the director's title is metteur en scène, "placer on scene." During the 1920s through the 1940s, these areas were typically overseen by the producers, titled variously as the producer, the production designer, the art designer, or the art director. Irving Thalberg of MGM was a legendary example of a producer who oversaw such production details.